#La rive gouche full#
Basically I approach the painting with a separate palette warm and cold colour, the contrast lets have an interesting three-dimensional and plastic effect I try every time to move the brush as fast as I can, to catch the movement, that I am seeing in reality, on the paper.that lets the painting get the energy and the vibrations that I am constantly looking for in my style I can use a very wet paper and brush full of water sometimes I use very dry colour.I never use very tiny size brushes for small details.but I am interested in the big block of masses, their contrast make the beauty in a painting.
I do not mind about famous sight seen, but I like walk in some place to find an aesthetic details or an interesting game shadow/light. PROCESS: I usually work on location, just sometimes I do several sketches of the same theme and then I go to complete it in the ually I do finish a painting one going on (this is essential in my technique). Maximilian’s gestural technique instead infuses liveliness in each artwork, a liveliness that makes being in a big city a never-ending thrill.
The frenetic quality of city life doesn’t detract from the beauty of each scene. With quick, lively brushstrokes, Maximilian captures the energy and mood of cities whether in the rain, gloom, or rush hour. He observes city sidewalks and intersections, looking for not the most famous scenes but the most interesting. STATEMENT: Italian watercolorist Maximilian Damico paints primarily on location.
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